Iterating on shots

Each generation lands next to the shot it came from. Nothing is overwritten, so a direction you abandoned twenty takes ago is still one click away.

Select two takes and open the compare view to scrub them in sync. This is the fastest way to judge pacing rather than a single frame.

When a take is close, change one variable at a time — a reference, the seed, the camera move. Changing three at once means you learn nothing from the result.